I know I'm coming late to the party, but see, I get DR. WHO and TORCHWOOD late because I don't receive BBC America. This means I see the shows whenever the SciFi network deigns to schedule them, or when iTunes finally puts the episodes on-line.
Anyway, I want to say this: knock it off!
DR. WHO keeps doing these world-shattering episodes, ones in which something happens to the entire planet. An alien invasion seems to be favorite, but they ended the season with the whole planet being yanked off to another dimension for a while. I think the BBC people feel the early years of the show were gypped in the special effects arena, so they try to go way overboard with the current show. They don't feel right unless they can destroy a national landmark, send millions of Daleks through the skies, or move an entire planet.
Franky, it gets tiring. And I'm losing my suspension of disbelief. Setting aside the questions of atmospheric and gravitic disturbances (and what, pray, happened to the moon when the earth was moved to the other dimension and then towed back?), the people of Earth don't seem to be much bothered by these invasions, disturbances, and horrifying events once they end. There are no repercussions among the greater populace. Life goes on very much as before. I'm not buying it anymore. In previous incarnations of the show, there would be something to change the timeline so that the terrible, planetwide event never actually happened (it is a time-travel show, after all). They don't do that anymore.
And can we please DUMP THE DALEKS? Get it through your heads, folks: THEY AREN'T SCARY. Not even vaguely intimidating. You can gussy them up with computer animation, but no matter you do, they look like what they are: cheap, low-budge robots from the sixties. Whenever I see one of the characters cowering in fear from a Dalek, I want to laugh. It's like watching someone grovel in front of a Frigidaire. I was willing to go along with it when the Doctor freaked over the single surviving Dalek, but then it was a dozen Daleks, and then it became hundreds, and then millions. Dalek episodes became the Invasion of the Flying Fridges. The writers apparently figured that if one Dalek was scary, a million would be a million times scarier. They were wrong. A million Daleks are overblown.
And, oh yes--the same goes for the Cybermen. Anyone notice that they're bascially the same as the Daleks? Both the Daleks and the Cybermen are robotic menaces who want to destroy humanity. In every episode, they march (or roll) slowly toward our heroes (apparently to build suspense) while the good guys and gals empty their weapons clips. But weapons don't affect Daleks or Cybermen, and they continue on their slow, implacable mission of destruction. The heroes flail about helplessly until the absolute last second when a solution presents itself and humanity lives to fight another day. The story is always, always the same. Boring!
Here's an idea, writer-guys: CREATE SOME NEW VILLAINS! You have creative minds! Do something new! The Daleks are boring. The Cybermen are a yawn. The Master wasn't very interesting, either. The best villailn has been James Marsters's character on TORCHWOOD. He had depth and character and characterization!
You have a fun, interesting universe with fun, interesting protagonists in it. Don't stop there! Make your antagonists as interesting as your heroes and the stories will write themselves! You won't have to resort to destroying entire cities or threatening a whole planet. Please, BBC writers! I know you can do better than this.
Anyway, I want to say this: knock it off!
DR. WHO keeps doing these world-shattering episodes, ones in which something happens to the entire planet. An alien invasion seems to be favorite, but they ended the season with the whole planet being yanked off to another dimension for a while. I think the BBC people feel the early years of the show were gypped in the special effects arena, so they try to go way overboard with the current show. They don't feel right unless they can destroy a national landmark, send millions of Daleks through the skies, or move an entire planet.
Franky, it gets tiring. And I'm losing my suspension of disbelief. Setting aside the questions of atmospheric and gravitic disturbances (and what, pray, happened to the moon when the earth was moved to the other dimension and then towed back?), the people of Earth don't seem to be much bothered by these invasions, disturbances, and horrifying events once they end. There are no repercussions among the greater populace. Life goes on very much as before. I'm not buying it anymore. In previous incarnations of the show, there would be something to change the timeline so that the terrible, planetwide event never actually happened (it is a time-travel show, after all). They don't do that anymore.
And can we please DUMP THE DALEKS? Get it through your heads, folks: THEY AREN'T SCARY. Not even vaguely intimidating. You can gussy them up with computer animation, but no matter you do, they look like what they are: cheap, low-budge robots from the sixties. Whenever I see one of the characters cowering in fear from a Dalek, I want to laugh. It's like watching someone grovel in front of a Frigidaire. I was willing to go along with it when the Doctor freaked over the single surviving Dalek, but then it was a dozen Daleks, and then it became hundreds, and then millions. Dalek episodes became the Invasion of the Flying Fridges. The writers apparently figured that if one Dalek was scary, a million would be a million times scarier. They were wrong. A million Daleks are overblown.
And, oh yes--the same goes for the Cybermen. Anyone notice that they're bascially the same as the Daleks? Both the Daleks and the Cybermen are robotic menaces who want to destroy humanity. In every episode, they march (or roll) slowly toward our heroes (apparently to build suspense) while the good guys and gals empty their weapons clips. But weapons don't affect Daleks or Cybermen, and they continue on their slow, implacable mission of destruction. The heroes flail about helplessly until the absolute last second when a solution presents itself and humanity lives to fight another day. The story is always, always the same. Boring!
Here's an idea, writer-guys: CREATE SOME NEW VILLAINS! You have creative minds! Do something new! The Daleks are boring. The Cybermen are a yawn. The Master wasn't very interesting, either. The best villailn has been James Marsters's character on TORCHWOOD. He had depth and character and characterization!
You have a fun, interesting universe with fun, interesting protagonists in it. Don't stop there! Make your antagonists as interesting as your heroes and the stories will write themselves! You won't have to resort to destroying entire cities or threatening a whole planet. Please, BBC writers! I know you can do better than this.
- Mood:
disappointed
I found TORCHWOOD by accident.
I started watching the new version of DOCTOR WHO on DVD because I heard it was actually good. Over the years and back in the days of videotape, several friends of mine tried numerous times to get me hooked on the older DW, saying it was a really good show if you played along with the bad special effects. I tried, I honestly did, but I just didn't like the show. After the fourth or fifth, "Okay, you didn't like that episode, but you'll really like =this= one; it's so cool" comments, I said enough was enough and refused further offerings. (Sorry to all those Whovians out there who love it.) Because of this experience, I didn't pick up the newest incarnation until just recently.
I watched the first season on DVD and liked it much, much better. Good, snappy writing, good acting, and watchable special effects. As a bonus, Rose was built like a real woman instead of a stick. Coolness!
Then we hit the episodes with Captain Jack Harkness. Oh, did I fall for him. Hard.
The reason? Captain Jack reminds me very strongly of Kendi from my Silent Empire books--fast thinker, a smart-ass, charming, impulsive, and sometimes more pragmatic than he probably should be. They're not perfect matches. Jack has a much more . . . active sex life than Kendi, who set his sights on Ben fairly early and never wavered after that. But I created Kendi to be the kind of person I'd find really fun to read (and write) about. I wouldn't get along with Kendi in real life. He would drive me crazy and I'd probably end up shooting him in the knee or something. I feel the same way about Jack Harkness--great fun to watch, but not someone I'd actually want to hang out with.
Anyway, I loved the character. And then I found out I wasn't the only one, that he turned out so popular he was given his own series--TORCHWOOD. And the first season's DVDs had just come out. I bought them last week. They weren't cheap, either, but I needed the treat.
My reaction? This is good TV SF for =adults.= And I'm liking it that way.
TORCHWOOD made me see the prejudice of American SF shows. SF in America is for kids and teenagers. Any adult viewers are incidental. As an adult, when I watch any incarnation of STAR TREK or DARK ANGEL or FIREFLY or THE SARAH CONNOR CHRONICLES, no matter how "adult" the show supposedly gets, its always written with ten-year-olds in the room. Watching is like trying to have an adult conversation when kids are present and the people are carefully talking around the topic, using hints and cute euphemisms and censoring what they really want to say.
TORCHWOOD has shooed the kids out of the room and locked the door so the adults can talk without worrying. I'm loving it.
Hey, look! People have sex. They have many kinds of sex, with many combinations of pairings. And the world doesn't automatically punish you for it. People fall in and out of love. They stray from their partners. They do stupid things with co-workers in the heat of the moment and then have to deal with the "oh, um . . . good morning . . . did anyone make coffee?" situation at the office the next day.
And many times life sucks. Situations are harsh and sometimes the choices are all bad and you can't do anything about it. And often you don't get to know why something happened or how it turns out. Sometimes the best option is to let someone die. And people =change.= When something enormous happens to them, they don't go on a week later as if none of it happened.
And the Blitz is a huge part of the British psyche.
I only have one episode left of the first season. My cable company doesn't carry BBC America, so I can't watch second season on TV, but I have a black belt in Google-Fu and I've found a couple of web sites that (probably illegally) stream the latest episodes, so I'll catch them there. (I'd get them legally if I could, but they aren't available to me.)
Loving this show. Really.
- Mood:
enthralled



